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Krishna Unlimited

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suresh@Krishnaunlimited.com

  • Home
  • The Journey Ahead
  • Vinayakar, the remover of Obstacles
  • Murugar's Fruit of Knowledge
  • Did Ramayana and Mahabharata Really Happen?
  • Objective of the Paramathma's Teachings
  • Before we go any further....
  • Narayaneeyam -1Click to open the Narayaneeyam -1 menu
    • Canto - 1 Slokam 1
    • Canto-1 Slokam 2
    • Canto-1 Slokam-3
    • Canto-1 Slokam - 4
    • Canto -1 Slokam 5
    • Canto - 1 Slokam 6
    • Canto - 1 Slokam 7
    • Canto - 1 Slokam 8
    • Canto -1 Slokam 9
    • Canto-1 Slokam 10
  • Mind and Consciousness
  • Narayaneeyam - 2Click to open the Narayaneeyam - 2 menu
    • CANTO 2 - SLOKAM 1
    • CANTO 2 SLOKAM 2
    • CANTO 2 SLOKAM 3
    • CANTO 2 SLOKAM 4
    • CANTO 2 SLOKAM 5
    • CANTO 2 SLOKAM 6
    • CANTO 2 SLOKAM 7
    • CANTO 2 SLOKAM 8
    • CANTO 2 SLOKAM 9
    • CANTO 2 SLOKAM 10
  • Consciousness and Control
  • The Significance of the Avatar
  • Narayaneeyam - 3Click to open the Narayaneeyam - 3 menu
    • Canto 3 - Slokam 1
    • Canto-3 Slokam 2
    • Canto 3 - Slokam 3
    • Canto 3 Slokam 4
    • Canto 3 Slokam 5
    • Canto 3 Slokam 6
    • Canto 3 Slokam 7
    • Canto 3 Slokam 8
    • Canto 3 Slokam 9
    • Canto 3 Slokam 10
  • Ithihasas and Puranas
  • Narayaneeyam 4Click to open the Narayaneeyam 4 menu
    • Canto 4 Slokam 1
    • Canto 4 Slokam 2
    • Canto 4 Slokam 3
    • Canto 4 Slokam 4
    • Canto 4 Slokam 5
    • Canto 4 Slokam 6
    • Canto 4 Slokam 7
    • Canto 4 Slokam 8
    • Canto 3 Slokam 9
    • Canto 4 Slokam 10
    • Canto 4 Slokam 11
    • Canto 4 Slokam 12
    • Canto 4 Slokam 13
    • Canto 4 Slokam 14
    • Canto 4 Slokam 15
  • The Timelessness of the Ramayana
  • Narayaneeyam - 5Click to open the Narayaneeyam - 5 menu
    • Canto 5 Slokam 1
    • Canto 5 Slokam 2
    • Canto 5 Slokam 3
    • Canto 5 Slokam 4
    • Canto 5 Slokam 5
    • Canto 5 Slokam 6
    • Canto 5 Slokam 7
    • Canto 5 Slokam 8
    • Canto 5 Slokam 9
    • Canto 5 Slokam 10
  • The Establishment of Dharma
  • Narayaneeyam-6Click to open the Narayaneeyam-6 menu
    • Canto 6 Slokam 1
    • Canto 6 Slokam 2
    • Canto 6 Slokam 3
    • Canto 6 Slokam 4
    • Canto 6 Slokam 5
    • Canto 6 Slokam 6
    • Cano 6 Slokam 7
    • Canto 6 Slokam 8
    • Slokam 6 Canto 9
    • Canto 6 Slokam 10
  • Ramayana - Rama Sethu
  • Narayaneeyam-7Click to open the Narayaneeyam-7 menu
    • Canto-7 Slokam - 1
    • Canto-7 Slkam 2
    • Canto 7 Slokam 3
    • Canto 7 Slokam 4
    • Canto 7 Slokam 5
    • Canto 7 Slokam 6
    • Canto 7 Slokam 7
    • Canto 7 Slokam 8
    • Canto 7 Slokam 9
    • Slokam 7 Canto 10
  • The Charioteer and His Horses
  • Narayaneeyam - 8Click to open the Narayaneeyam - 8 menu
    • Canto 8 - Slokam 1
    • Canto 8 - Slokam 2
    • Canto 8 - Slokam 3
    • Canto 8 Slokam 4
    • Canto 8 Slokam 5
    • Canto 8 Slokam 6
    • Canto 8 Slokam 7
    • Canto 8 Slokam 8
    • Canto 8 Slokam 9
    • Canto 8 - Slokam 10
    • Canto 8 Slokam 11
    • Canto 8 Slokam 12
    • Canto 8 Slokam 13
  • What We Are Seeking
  • Narayaneeyam - 9Click to open the Narayaneeyam - 9 menu
    • Canto 9 Slokam 1
    • Canto 9 Slokam 2
    • Canto 9 Slokam 3
    • Canto 9 Sloakam 4
    • Canto 9 Slokam 5
    • Canto 9 Slokam 6
    • Canto 9 Slokam 7
    • Canto 9 Slokam 8
    • Canto 9 Slokam 9
    • Canto 9 Slokam 10
  • Permanence
  • Narayaneeyam 10Click to open the Narayaneeyam 10 menu
    • Canto 10 Slokam 1
    • Canto 10 Slokam 2
    • Canto 10 Slokam 3
    • Canto 10 Slokam 4
    • Canto 10 Slokam 5
    • Canto 10 Slokam 6
    • Canto 10 Slokam 7
    • Canto 10 Slokam 8
    • Canto 10 Slokam 9
    • Canto 10 Slokam 10
  • The Meaning of Permanence.
  • Narayaneeyam-11Click to open the Narayaneeyam-11 menu
    • Canto 11 Slokam 1
    • Canto 11 Slokam 2
    • Canto 11 Slokam 3
    • Canto 11 Slokam 4
    • Canto 11 Slokam 5
    • Canto 11 Slokam 6
    • Canto 11 Slokam 7
    • Canto 11 Slokam 8
    • Canto 11 Slokam 9
    • Canto 11 Slokam 10
  • THE ATMA
  • Narayanayeeam 12Click to open the Narayanayeeam 12 menu
    • Canto 12 Slokam 1
    • Canto 12 Slokam 2
    • Canto 12 Slokam 3
    • Canto 12 - Slokam 4
    • Canto 12 Slokam 5
    • Canto 12 Slokam 6
    • Canto 12 Slokam 7
    • Canto 12 Slokam 8
    • Canto 12 Slokam 9
    • Canto 12 Slokam 10
  • Yashoda Sees a Vision
  • Narayaneeyam 13Click to open the Narayaneeyam 13 menu
    • Canto 13 Slokam 1
    • Canto 13 Slokam 2
    • Canto 13 Slokam 3
    • Canto 13 Slokam 4
    • Canto 13 Slokam 5
    • Canto 13 Slokam 6
    • Canto 13 Slokam 7
    • Canto 13 Slokam 8
    • Canto 13 Slokam 9
    • Canto 13 Slokam 10
  • The Treasure at Sri Padmanabhaswamy Temple
  • Narayaneeyam 14Click to open the Narayaneeyam 14 menu
    • Canto 14 Slokam 1
    • Canto 14 Slokam 2
    • Canto 14 Slokam 3
    • Canto 14 Slokam 4
    • Canto 14 Slokam 5
    • Canto 14 Slokam 6
    • Canto 14 Slokam 7
    • Canto 14 Slokam 8
    • Canto 14 Slokam 9
    • Canto 14 Slokam 10
  • Kapila Vasudeva
  • Narayaneeyam 15Click to open the Narayaneeyam 15 menu
    • Canto 15 Slokam 1
    • Canto 15 Slokam 2
    • Canto 15 Slokam 3
    • Canto 15 Slokam 4
    • Canto 15 Slokam 5
    • Canto 15 Slokam 6
    • Canto 15 Slokam 7
    • Canto 15 Slokam 8
    • Canto 15 Slokam 9
    • Canto 15 Slokam 10
  • The EndowmentClick to open the The Endowment menu
    • The Ten Heads of Ravana
    • KAMA, KRODHA, LOBHA, MOHA, MADA, MATSARYA - 1
    • KAMA, KRODHA, LOBHA, MOHA, MADA, MATSARYA - 2
  • Nayayaneeyam 16Click to open the Nayayaneeyam 16 menu
    • Canto 16 Slokam 1
    • Canto 16 Slokam 2
    • Canto 16 Slokam 3
    • Canto 16 Slokam 4
    • Canto 16 Slokam 5
    • Canto 16 Slokam 6
    • Canto 16 Slokam 7
    • Canto 16 Slokam 8
    • Canto 16 Slokam 9
    • Canto 16 Slokam 10
  • Self Realization
  • Narayaneeyam 17Click to open the Narayaneeyam 17 menu
    • Canto 17 Slokam 1
    • Canto 17 Slokam 2
    • Canto 17 Slokam 3
    • Canto 17 Slokam 4
    • Canto 17 Slokam 5
    • Canto 17 Slokam 6
    • Canto 17 Slokam 7
    • Canto 17 Slokam 8
    • Canto 17 Slokam 9
    • Canto 17 Slokam 10
    • Canto 17 Slokam 11
  • The Universe of the Mind
  • Narayaneeyam 18Click to open the Narayaneeyam 18 menu
    • Canto 18 Slokam 1
    • Canto 18 Slokam 2
    • Canto 18 Slokam 3
    • Canto 18 Slokam 4
    • Canto 18 Slokam 5
    • Canto 18 Slokam 6
    • Canto 18 Slokam 7
    • Canto 18 Slokam 8
    • Canto 18 Slokam 9
    • Canto 18 Slokam 10
  • VEDAS - KNOWLEDGE
  • Narayaneeyam - 19Click to open the Narayaneeyam - 19 menu
    • Canto 19 Slokam 1
    • Canto 19 - Slokam 2
    • Canto 19 Slokam 3
    • Canto 18 Slokam 4
    • Canto 19 Slokam 5
    • Cano 19 Slokam 6
    • Canto 19 Slokam 7
    • Canto 19 Slokam 8
    • Canto 19 Slokam 9
    • Canto 19 Slokam 10
  • Scriptures to be read with a clear grasp of the objectives
  • Narayaneeyam 20Click to open the Narayaneeyam 20 menu
    • Canto 20 Slokam 1
    • Canto 20 Slokam 2
    • Canto 20 Slokam 3
    • Canto 20 Slokam 4
    • Canto 20 Slokam 5
    • Canto 20 Slokam 6
    • Canto 20 Slokam 7
    • Canto 20 Slokam 8
    • Canto 20 Slokam 9
    • Canto 20 Slokam 10
  • Prayer and RitualsClick to open the Prayer and Rituals menu
    • The Meaning and Significance of Prayer
    • The Objective of Prayer
    • The Components of Prayer - From Srimad Bhagavatham - Kamala Subramaniam
  • Narayaneeyam 21Click to open the Narayaneeyam 21 menu
    • Canto 21 - Slokam 1
    • Canto 21 Slokam 2
    • Canto 21 Slokam 3
    • Canto 21 Slokam 4
    • canto 21 Slokam 5
    • Canto 21 Slokam 6
    • Canto 21 Slokam 7
    • Canto 21 Slokam 8
    • Canto 21 Slokam 9
    • Canto 21 Slokam 10
    • Canto 21 Slokam 11
    • Canto 21 Slokam 12
  • Mahabharata - Our Kurukshethram
  • Narayaneeyam 22Click to open the Narayaneeyam 22 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
    • Slokam 11
  • Paramathma's Controls
  • Narayaneeyam 23Click to open the Narayaneeyam 23 menu
    • Canto 23 Slokam 1
    • Canto 23 Slokam 2
    • Canto 23 Slokam 3
    • Canto 23 Slokam 4
    • Canto 23 Slokam 5
    • Canto 23 Slokam 6
    • Canto 23 Slokam 7
    • Canto 23 Slokam 8
    • Canto 23 Slokam 9
    • Canto 23 Slokam 10
    • Canto 23 Slokam 11
  • Shri Ramana Maharshi - Inner Peace and Happiness
  • Narayaneeyam 24Click to open the Narayaneeyam 24 menu
    • Canto 24 Slokam 1
    • Canto 24 Slokam 2
    • Canto 24 Slokam 3
    • Canto 24 Slokam 4
    • Canto 24 Slokam 5 - 1
    • Canto 24 Slokam 5- 2
    • Canto 24 Slokam 5-3
    • Canto 24 Slokam 6
    • Canto 24 Slokam 7
    • Canto 24 Slokam 8
    • Canto 24 Slokam 9
    • Canto 24 Slokam 10
  • Why Take Initiative?
  • Narayaneeyam 25Click to open the Narayaneeyam 25 menu
    • Canto 25 Slokam 1
    • Canto 25 Slokam 2
    • Canto 25 Slokam 3
    • Canto 25 Slokam 4
    • Canto 25 Slokam 5
    • Canto 25 Slokam 6
    • Canto 25 Slokam 7
    • Canto 25 Slokam 8
    • Canto 25 Slokam 9
    • Canto 25 Slokam 10
  • Before We Undertake the Journey....
  • Narayaneeyam 26Click to open the Narayaneeyam 26 menu
    • Canto 26 Slokam 1
    • Canto 26 Slokam 2
    • Canto 26 Slokam 3
    • Canto 26 Slokam 4
    • Canto 26 Slokam 5
    • Canto 26 Slokam 6
    • canto 26 Slokam 7
    • Canto 26 Slokam 8
    • Canto 26 Slokam 9
    • Canto 26 Slokam 10
  • What Needs to be Attained
  • Narayaneeyam 27Click to open the Narayaneeyam 27 menu
    • Canto 27 Slokam 1
    • Canto 27 Slokam 2
    • Canto 27 Slokam 3
    • Canto 27 Slokam 4
    • Canto 27 Slokam 5
    • Canto 27 Slokam 6
    • Canto 27 Slokam 7
    • Canto 27 Slokam 8
    • Canto 27 Slokam 9
    • Canto 27 Slokam 10
    • Canto 27 Slokam 11
  • Bhakthi - The Essential Prerequisite
  • Narayaneeyam 28Click to open the Narayaneeyam 28 menu
    • Canto 28 Slokam 1
    • Canto 28 Slokam 2
    • Canto 28 Slokam 3
    • Canto 28 Slokam 4
    • Canto 28 Slokam 5
    • Canto 28 Slokam 6
    • Canto 28 Slokam 7
    • Canto 28 Slokam 8
    • Canto 28 Slokam 9
    • Canto 28 Slokam 10
  • The Three GUNAS and the Creation of the Universe
  • Narayaneeyam 29Click to open the Narayaneeyam 29 menu
    • Canto 29 Slokam 1
    • Canto 29 Slokam 2
    • Canto 29 Slokam 3
    • Canto 29 Slokam 4
    • Canto 29 Slokam 5
    • Canto 29 Slokam 6
    • Canto 29 Slokam 7
    • Canto 29 Slokam 8
    • Canto 29 Slokam 9
    • Canto 29 Slokam 10
  • The Paramathma Speaks on His Creation
  • Narayanayeeam 30Click to open the Narayanayeeam 30 menu
    • Canto 30 Slokam1
    • Canto 30 Slokam 2
    • Canto 30 Slokam 3
    • Canto 30 Slokam 4
    • Canto 30 Slokam 5
    • Canto 30 Slokam 6
    • Canto 30 Slokam 7
    • Canto 30 Slokam 8
    • Canto 30 Slokam 9
    • Canto 30 Slokam 10
  • Unchanging Truth
  • Narayaneeyam 31Click to open the Narayaneeyam 31 menu
    • Canto 31 Slokam 1
    • Canto 31 Slokam 2
    • Canto 31 Slokam 3
    • Canto 31 Slokam 4
    • Canto 31 Slokam 5
    • Canto 31 Slokam 6
    • Canto 31 Slokam 7
    • Canto 31 Slokam 8
    • Canto 31 Slokam 9
    • Canto 31 Slokam 10
  • Knowing the Truth
  • Narayaneeyam 32Click to open the Narayaneeyam 32 menu
    • Canto 32 Slokam 1
    • Canto 32 Slokam 2
    • Canto 32 Slokam 3
    • Canto 32 Slokam 4
    • Canto 32 Slokam 5
    • Canto 32 Slokam 6
    • Canto 32 Slokam 7
    • Canto 32 Slokam 8
    • Canto 32 Slokam 9
    • Canto 32 Slokam 10
  • Hiranyakashipu's WishClick to open the Hiranyakashipu's Wish menu
    • Hiranyakashipu in a nutshell
    • Who is Hiranyakashipu supposed to be?
    • How did Hiranyaksha and Hiranyakashipu come down to the Earth
    • Why did the Door Keepers of Narayana become the perpetrators of suffering?
    • Penance and Power
    • Neither this Nor That
  • Narayaneeyam 33Click to open the Narayaneeyam 33 menu
    • Canto 33 Slokam 1
    • Canto 33 Slokam 2
    • Canto 33 Slokam 3
    • Canto 33 Slokam 4
    • Canto 33 Slokam 5
    • Canto 33 Slokam 6
    • Canto 33 Slokam 7
    • Canto 33 Slokam 8
    • Canto 33 Slokam 9
    • Canto 33 Slokam 10
  • Endowment for Effort
  • Narayaneeyam 34Click to open the Narayaneeyam 34 menu
    • Canto 34 Slokam 1
    • Canto 34 Slokam 2
    • Canto 34 Slokam 3
    • Canto 34 Slokam 4
    • Canto 34 Slokam 5
    • Canto 34 Slokam 6
    • Canto 34 Slokam 7
    • Canto 34 Slokam 8
    • Canto 34 Slokam 9
    • Canto 34 Slokam 10
  • Material Wealth
  • Narayaneeyam 35Click to open the Narayaneeyam 35 menu
    • Canto 35 Slokam 1
    • Canto 35 Slokam 2
    • Canto 35 Slokam 3
    • canto 35 Slokam 4
    • Canto 35 Slokam 5
    • Canto 35 Slokam 6
    • Canto 35 Slokam 7
    • Canto 35 Slokam 8
    • Canto 35 Slokam 9
    • Canto 35 Slokam 10
  • The Elements of Which We Are Made
  • Narayaneeyam 36Click to open the Narayaneeyam 36 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
    • Slokam 11
  • Perception, Consciousness, Illusion and Reality
  • Narayaneeyam 37Click to open the Narayaneeyam 37 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • Narayaneeyam 37
  • Knowing That Which is Known
  • Narayaneeyam 38Click to open the Narayaneeyam 38 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • The Three PathsClick to open the The Three Paths menu
    • Gnana Yogam
    • The Obstacles to Gnana Yogam
    • Karma Yogam
    • Bhakti Yogam
    • Bhakti - The Recommended Path for Kali Yugam
  • Narayaneeyam 39Click to open the Narayaneeyam 39 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • The Requirements of Attaining Moksham
  • Narayaneeyam 40Click to open the Narayaneeyam 40 menu
    • Canto 40 Slokam 1
    • Canto 40 Slokam 2
    • Canto 40 Slokam 3
    • Canto 40 Slokam 4
    • Canto 40 Slokam 5
    • Canto 40 Slokam 6
    • Canto 40 Slokam 7
    • Canto 40 Slokam 8
    • Canto 40 Slokam 9
    • Canto 40 Slokam 10
  • KarmaClick to open the Karma menu
    • An Overview of Karma
    • Why Karma?
    • Traversing the Path of Karma
    • Karma - Bhagavatham Extracts
    • Karma and Intelligence
    • Relationship betweeen Karma and Intelligence
  • Narayaneeyam 41Click to open the Narayaneeyam 41 menu
    • Canto 41 Slokam 1
    • Canto 41 Slokam 2
    • Canto 41 Slokam 3
    • Canto 41 Slokam 4
    • Canto 41 Slokam 5
    • Canto 41 Slokam 6
    • Canto 41 Slokam 7
    • Canto 41 Slokam 8
    • Canto 41 Slokam 9
    • Canto 41 Slokam 10
  • Yugams
  • Narayaneeyam 42Click to open the Narayaneeyam 42 menu
    • Canto 42 Slokam 1
    • Canto 42 Slokam 2
    • Canto 42 Slokam 3
    • Canto 42 Slokam 4
    • Canto 42 Slokam 5
    • Canto 42 Slokam 6
    • Canto 42 Slokam 7
    • Canto 42 Slokam 8
    • Canto 42 Slokam 9
    • Canto 42 Slokam 10
    • Canto 42 Slokam 11
  • Interrelationship between the Paths
  • Narayaneeyam 43Click to open the Narayaneeyam 43 menu
    • Canto 43 Slokam 1
    • Canto 43 Slokam 2
    • Canto 43 Slokam 3
    • Canto 43 Slokam 4
    • Canto 43 Slokam 5
    • Canto 43 Slokam 6
    • Canto 43 Slokam 7
    • Canto 43 Slokam 8
    • Canto 43 Slokam 9
    • Canto 43 Slokam 10
  • The Role of the Intellect
  • Narayaneeyam 44Click to open the Narayaneeyam 44 menu
    • Canto 44 Slokam 1
    • Canto 44 Slokam 2
    • Canto 44 Slokam 3
    • Canto 44 Slokam 4
    • Canto 44 Slokam 5
    • Canto 44 Slokam 6
    • Canto 44 Slokam 7
    • Canto 44 Slokam 8
    • Canto 44 Slokam 9
    • Canto 44 Slokam 10
  • What Happens When I Know Myself
  • Narayaneeyam 45Click to open the Narayaneeyam 45 menu
    • Canto 45 Slokam 1
    • Canto 45 Slokam 2
    • Canto 45 Slokam 3
    • Canto 45 Slokam 4
    • Canto 45 Slokam 5
    • Canto 45 Slokam 6
    • Canto 45 Slokam 7
    • Canto 45 Slokam 8
    • Canto 45 SlokAM 9
    • Canto 45 Slokam 10
    • Canto 45 Slokam 11
    • Canto 45 Slokam 12
  • The Intricate RelationshipsClick to open the The Intricate Relationships menu
    • Canto 45 Slokam 3
  • Narayaneeyam 46Click to open the Narayaneeyam 46 menu
    • Canto 46 Slokam 1
    • Canto 46 Slokam 2
    • Canto 46 Slokam 3
    • Canto 46 Slokam 4
    • Canto 46 Slokam 5
    • Canto 46 Slokam 6
    • Canto 46 Slokam 7
    • Canto 46 Slokam 8
    • Canto 46 Slokam 9
    • Canto 46 Slokam 10
  • What happens if there is no Identity
  • Narayaneeyam 47Click to open the Narayaneeyam 47 menu
    • Canto 47 Slokam 1
    • Canto 47 Slokam 2
    • Canto 47 Slokam 3
    • Canto 47 Slokam 4
    • Canto 47 Slokam 5
    • Canto 47 Slokam 6
    • Canto 47 Slokam 7
    • Canto 47 Slokam 8
    • Canto 47 Slokam 9
  • Bhakti Revisited - What Paramathma Wants
  • Narayaneeyam 48Click to open the Narayaneeyam 48 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • The Meaning of Meditation
  • Narayaneeyam 49Click to open the Narayaneeyam 49 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • The Presentation Style of the Scriptures
  • Narayaneeyam - 50Click to open the Narayaneeyam - 50 menu
    • Canto 50 Slokam 1
    • Canto 50 Slokam 2
    • Canto 50 Slokam 3
    • Canto 50 Slokam 4
    • Canto 50 Slokam 5
    • Canto 50 Slokam 6
    • Canto 50 Slokam 7
    • Canto 50 Slokam 8
    • Canto 50 Slokam 9
    • Canto 50 Slokam 10
  • Symbolic Interpretation of the Scriptures
  • Narayaneeyam - 51Click to open the Narayaneeyam - 51 menu
    • Canto 51 Slokam 1
    • Canto 51 Slokam 2
    • Canto 51 Slokam 3
    • Canto 51 Slokam 4
  • Narayaneeyam - 51
  • Srimad Bhagavatham
  • The Paramathma and the Gopis
  • The 'Moral Issues'?
  • Truth & Fiction, Real & Imaginary
  • Mimicry and Impersonalization
  • Karma's Seeds
  • Family Attachment
  • THE VIRATA PURUSHA
  • The Obstacles in the Path of Evolution
  • THE STEPS
  • Is Everyone Qualified to Attempt the Journey?
  • Realization & Knowing
  • Singularity and Duality
  • Existence and Consciousness
  • Repeating Cycle of Births and Deaths - Purva Janma
  • Who Am "I"Click to open the Who Am "I" menu
    • The Ego, Desire, Karma and the "I"
    • "I", "Mine" and Moksham
    • Why the "I" should be dropped
    • "I" The Enabler of Learning.
    • "I", Ownership and Karma
    • "I" THE AHANKAARAM
    • Evolving Beyond The "I"
    • "I" and the Senses
    • The Negative aspect of the "I"
    • "I"'s Different Disguises
  • Moksham
  • Papa, Punya, Dharma and Adharma
  • What we have been given
  • Two Different Paths - East Vs WestClick to open the Two Different Paths - East Vs West menu
    • Purpose of Life
    • Learning and Knowledge
    • Evolution of Intelligence
    • Western and Eastern Perspective
  • Present Limitations
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Canto 34 Slokam 2




Slokam 2

Sage Viswamitra’s Siddashrama is under the siege of demonic forces.  The sage visits King Dasharatha and requests that he take  Sri Rama and Sri Lakshmana to help vanquish the demons. Sri Rama and Sr Lakshmana were just in their late boyhood at that time.  The request of the sage is a testimony to their supreme valor and skills. King Dasharatha is shocked at first, but later concedes,  under the influence of both sage Viswamitra and sage Vasishta. 

Extract from Wikipedia

Siddhashrama (literally, the hermitage of the siddhas) is referred to in the Ramayana, Mahabharata and the Puranas. In Valmiki's Ramayana it is said that Viswamitra has his hermitage in Siddhashrama and it was the erstwhile hermitage of Vishnu, when he appeared as the VamanaAvatar.[1] He takes Rama and Lakshmana to Siddhashrama to exterminate the demons who are disturbing his religious sacrifices.[2] In the Narada Purana (Purva,1.25), Siddhashrama is mentioned as the hermitage of sage Suta.[3]

Siddhashrama (Siddhāśrama; Devanagari:सिद्धाश्रम), popularly called Gyangunj, is considered as a mystical hermitage, which according to a tradition, is located in a secret land deep in the Himalayas, where great yogis, sadhus, and sages who are siddhas live. This place is also revered as the mystical land of Shambhala by Tibetans. According to another tradition, the Siddhashrama is located in the Tibetan region, nearby Kailash parvat. Though any Sadhu, Sanyasi, Yeti, Monk and Yogi might have known 'Siddhashram' by any name or various cults might have used different worship or Sadhana methods according to their beliefs.

The context of this supernatural land has been mentioned in many ancient scriptures along with four Vedas. The Siddhashram is described as a divine place in spiritual journey. Thus it is also believed that while discharging their divine works in this universe the spiritually empowered Yogis remain in constant touch with Siddhashram and they visit it regularly.

Siddhashram is considered as the base of spiritual consciousness, heart of divinity and the mortification land of great Rishies. Siddhashram is equally scarce to human beings and all the visible and invisible creatures. Thus, the Siddhashram is assumed as a very scarce divine place. But it will be possible to get the divine power to enter this scarce and sacred place by doing hard works through Sadhana procedure and following Sadhana path.

Siddhashram is a secret and mystical land deep in the Himalayas, where great siddha yogis, sadhus, and sages live. Siddhashram is the ashram by our ancestors, saints, sages & Yogis of high order. It is referred to in many Indian epics, the Veda, Upanishads and Puranas including the Rigveda, the oldest scripture of human civilization.

Siddhashram is the society for the enlightened people or siddhas. The person, who reaches high level in sadhana can reach the mystical siddhashram with the blessings of the guru, who is the regular of this place.

This aashram lies near the Mansarovar lake and the Kailash. Siddha yogis and sanyasis are meditating in this place for thousands of years. Like many mystical places mentioned in different religions this place can't be seen with naked eyes, it's an experience and only through the path of meditation and spiritual awareness we can experience this place. Swami Vishuddhananda Paramahansa first talked of this place in public. He was taken there in His childhood by some adept and He did his sadhana in Gyanganj Ashram for long long years.

Many in Hinduism believe that Maharsih Vashishtha, Vishwamitra, Kanad, Pulastya, Atri, Mahayogi Gorakhnath, Srimad Shankaracharya, Bheesma, Kripacharya can be seen wandering there in physical form and also one can have the privilege of listening to their sermons. Many Siddha yogi, yoginis, Apsara (Angel), saints are found to be meditating in this place. The beautiful flowers in the garden, trees, birds, siddha-yoga lake, meditating saints and many other things of the place cannot be described in words.

The journey is long and Sri Rama and Sri Lakshmana chant the slokams of Bala and Atibala to overcome fatigue.

Extract from; https://www.hindu-blog.com/2011/08/bala-and-athibala-mantra-in-ramayana.html

Bala and Atibala are two mantras mentioned in the Ramayana.  It is mentioned in the Balakanda of the Valmiki Ramayan. The mantras were given to Sri Ram and Lakshman by Vishwamitra Rishi while he was taking the two brothers to defend his yajna from Rakshasas (demons). It is believed that one who meditates on Bala and Atibala Mantras will not feel hunger, thirst and tiredness. No one will be able to defeat them in fights.

 

Although this mantra is mentioned in the Ramayana, it is not originally from the epic. The Bala and Atibala mantra is found in the Savitri Upanishad.

 

In Valmiki Ramayana the mantra is mentioned in the Balakanda – Sarga 22. But the mantra is not given in written format – it is mentioned that Sage Vishwamitra gave it to Sri Ram and Lakshman. The glory of it is also said in the chapter.

 

Although Bala and Atibala Mantra are two mantras – they are considered as one and are chanted together.

Apart from control over physical urges, knowledge, intelligence, beauty and oratory powers of a person will increase as a result of the chanting of the mantra.

The Rishi of this mantra is Virat Purush and the meter and Goddess is Gayathri

The Siddhashrama in our minds is always under attack by demons.  Our efforts at inducing tranquility and peace are always upset by demons.  Invoking the Paramathma in the forms Sri Rama, Lakshmana,  or any of His Avatars is the most powerful and probably the only way to fight these demons and drive them away.  We must be very clear as to who and what these demons of the mind are,  so that we can use our Bhakthi and devotion to specifically target these.  The entire gnana margam, has the objective of splitting our inner selves, dispassionately into component parts, so that we know which are the desirable aspects that need to be nurtured and which are the undesirable aspects that should be discarded.

The undesirable aspects should be targeted and destroyed.  We cannot do this ourselves.

As indicated in the slokam,  Sri Rama and Sri Lakshmana chanted the Bala and Atibala slokams to overcome the fatigue of the journey to the ashram.  The implication is that ultimately,  our every aspect is an endowment from above.  We can only be aware of our problems.  We cannot solve them without divine intervention.

Sri Rama and Sri Lakshmana kill the demoness, Tataka who is disrupting the yagnya at the ashram. 

Extract from Wikipedia

Taraka (ताड़का Tāṛakā) or Tadaka or Thataka was a demoness in the epic Ramayana. Along with her children, Maricha and Subahu, Taraka would harass and attack rishis performing yajnas in the forest. They were ultimately slain by Rama and Lakshmana on behest of their teacher, maharishi Vishwamitra.[1][2]

Taraka was a Yaksha princess and daughter and only child of the Yaksha king Suketu, she was a beautiful princess that was wooed by and married Sunda, a Rakshas. She bore Sunda two sons, Subahu and Maricha.[3]

When Rishi Agastya cursed both Suketu and Sunda to death, Tadaka took it upon herself (with her son, Subahu's, aid) to wreak vengeance on the sage. This earned them both the Rishi's anger. Agastya cursed Tadaka with the loss of her beautiful physique, and transformed both mother and son into hideous demonic creatures with a cruel, cannibalistic nature.[4]

As revenge, Tadaka and Subahu attempted to harass as many rishis as they could, by destroying their Yagnas with rains of flesh and blood. Brahmarishi Vishwamitra was especially at the receiving end of Tadaka's harassment. Unable to cope with her mischief any longer, Vishwamitra finally approached Dasaratha, the King of Kosala, for help. The King obliged by sending two of his four sons, the 16-yr-olds, Rama and Lakshmana, to the forest, charging them to protect both Vishwamitra and his Yagna.

When Tadaka and Subahu both attempted to destroy yet another of Vishwamitra's yagnas, Rama warned them not do so. They responded by laughing at Rama, and deriding him as a 'mere boy'. The 'mere boy' retaliated by slaying both mother and son swiftly.

This act gained the young princes the blessings of not just Vishwamitra but also the blessings of all of the assembled sages in the yagnashala.

The slokam points out that Sage Viswamitra initiates Sri Rama and Sri Lakshmana into the techniques for use of various missiles that can be used for the purpose.

May we,  like sage Viswamitra, invoke the Paramathma to come to our rescue by destroying the demons within us.

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