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Krishna Unlimited

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suresh@Krishnaunlimited.com

  • Home
  • The Journey Ahead
  • Vinayakar, the remover of Obstacles
  • Murugar's Fruit of Knowledge
  • Did Ramayana and Mahabharata Really Happen?
  • Objective of the Paramathma's Teachings
  • Before we go any further....
  • Narayaneeyam -1Click to open the Narayaneeyam -1 menu
    • Canto - 1 Slokam 1
    • Canto-1 Slokam 2
    • Canto-1 Slokam-3
    • Canto-1 Slokam - 4
    • Canto -1 Slokam 5
    • Canto - 1 Slokam 6
    • Canto - 1 Slokam 7
    • Canto - 1 Slokam 8
    • Canto -1 Slokam 9
    • Canto-1 Slokam 10
  • Mind and Consciousness
  • Narayaneeyam - 2Click to open the Narayaneeyam - 2 menu
    • CANTO 2 - SLOKAM 1
    • CANTO 2 SLOKAM 2
    • CANTO 2 SLOKAM 3
    • CANTO 2 SLOKAM 4
    • CANTO 2 SLOKAM 5
    • CANTO 2 SLOKAM 6
    • CANTO 2 SLOKAM 7
    • CANTO 2 SLOKAM 8
    • CANTO 2 SLOKAM 9
    • CANTO 2 SLOKAM 10
  • Consciousness and Control
  • The Significance of the Avatar
  • Narayaneeyam - 3Click to open the Narayaneeyam - 3 menu
    • Canto 3 - Slokam 1
    • Canto-3 Slokam 2
    • Canto 3 - Slokam 3
    • Canto 3 Slokam 4
    • Canto 3 Slokam 5
    • Canto 3 Slokam 6
    • Canto 3 Slokam 7
    • Canto 3 Slokam 8
    • Canto 3 Slokam 9
    • Canto 3 Slokam 10
  • Ithihasas and Puranas
  • Narayaneeyam 4Click to open the Narayaneeyam 4 menu
    • Canto 4 Slokam 1
    • Canto 4 Slokam 2
    • Canto 4 Slokam 3
    • Canto 4 Slokam 4
    • Canto 4 Slokam 5
    • Canto 4 Slokam 6
    • Canto 4 Slokam 7
    • Canto 4 Slokam 8
    • Canto 3 Slokam 9
    • Canto 4 Slokam 10
    • Canto 4 Slokam 11
    • Canto 4 Slokam 12
    • Canto 4 Slokam 13
    • Canto 4 Slokam 14
    • Canto 4 Slokam 15
  • The Timelessness of the Ramayana
  • Narayaneeyam - 5Click to open the Narayaneeyam - 5 menu
    • Canto 5 Slokam 1
    • Canto 5 Slokam 2
    • Canto 5 Slokam 3
    • Canto 5 Slokam 4
    • Canto 5 Slokam 5
    • Canto 5 Slokam 6
    • Canto 5 Slokam 7
    • Canto 5 Slokam 8
    • Canto 5 Slokam 9
    • Canto 5 Slokam 10
  • The Establishment of Dharma
  • Narayaneeyam-6Click to open the Narayaneeyam-6 menu
    • Canto 6 Slokam 1
    • Canto 6 Slokam 2
    • Canto 6 Slokam 3
    • Canto 6 Slokam 4
    • Canto 6 Slokam 5
    • Canto 6 Slokam 6
    • Cano 6 Slokam 7
    • Canto 6 Slokam 8
    • Slokam 6 Canto 9
    • Canto 6 Slokam 10
  • Ramayana - Rama Sethu
  • Narayaneeyam-7Click to open the Narayaneeyam-7 menu
    • Canto-7 Slokam - 1
    • Canto-7 Slkam 2
    • Canto 7 Slokam 3
    • Canto 7 Slokam 4
    • Canto 7 Slokam 5
    • Canto 7 Slokam 6
    • Canto 7 Slokam 7
    • Canto 7 Slokam 8
    • Canto 7 Slokam 9
    • Slokam 7 Canto 10
  • The Charioteer and His Horses
  • Narayaneeyam - 8Click to open the Narayaneeyam - 8 menu
    • Canto 8 - Slokam 1
    • Canto 8 - Slokam 2
    • Canto 8 - Slokam 3
    • Canto 8 Slokam 4
    • Canto 8 Slokam 5
    • Canto 8 Slokam 6
    • Canto 8 Slokam 7
    • Canto 8 Slokam 8
    • Canto 8 Slokam 9
    • Canto 8 - Slokam 10
    • Canto 8 Slokam 11
    • Canto 8 Slokam 12
    • Canto 8 Slokam 13
  • What We Are Seeking
  • Narayaneeyam - 9Click to open the Narayaneeyam - 9 menu
    • Canto 9 Slokam 1
    • Canto 9 Slokam 2
    • Canto 9 Slokam 3
    • Canto 9 Sloakam 4
    • Canto 9 Slokam 5
    • Canto 9 Slokam 6
    • Canto 9 Slokam 7
    • Canto 9 Slokam 8
    • Canto 9 Slokam 9
    • Canto 9 Slokam 10
  • Permanence
  • Narayaneeyam 10Click to open the Narayaneeyam 10 menu
    • Canto 10 Slokam 1
    • Canto 10 Slokam 2
    • Canto 10 Slokam 3
    • Canto 10 Slokam 4
    • Canto 10 Slokam 5
    • Canto 10 Slokam 6
    • Canto 10 Slokam 7
    • Canto 10 Slokam 8
    • Canto 10 Slokam 9
    • Canto 10 Slokam 10
  • The Meaning of Permanence.
  • Narayaneeyam-11Click to open the Narayaneeyam-11 menu
    • Canto 11 Slokam 1
    • Canto 11 Slokam 2
    • Canto 11 Slokam 3
    • Canto 11 Slokam 4
    • Canto 11 Slokam 5
    • Canto 11 Slokam 6
    • Canto 11 Slokam 7
    • Canto 11 Slokam 8
    • Canto 11 Slokam 9
    • Canto 11 Slokam 10
  • THE ATMA
  • Narayanayeeam 12Click to open the Narayanayeeam 12 menu
    • Canto 12 Slokam 1
    • Canto 12 Slokam 2
    • Canto 12 Slokam 3
    • Canto 12 - Slokam 4
    • Canto 12 Slokam 5
    • Canto 12 Slokam 6
    • Canto 12 Slokam 7
    • Canto 12 Slokam 8
    • Canto 12 Slokam 9
    • Canto 12 Slokam 10
  • Yashoda Sees a Vision
  • Narayaneeyam 13Click to open the Narayaneeyam 13 menu
    • Canto 13 Slokam 1
    • Canto 13 Slokam 2
    • Canto 13 Slokam 3
    • Canto 13 Slokam 4
    • Canto 13 Slokam 5
    • Canto 13 Slokam 6
    • Canto 13 Slokam 7
    • Canto 13 Slokam 8
    • Canto 13 Slokam 9
    • Canto 13 Slokam 10
  • The Treasure at Sri Padmanabhaswamy Temple
  • Narayaneeyam 14Click to open the Narayaneeyam 14 menu
    • Canto 14 Slokam 1
    • Canto 14 Slokam 2
    • Canto 14 Slokam 3
    • Canto 14 Slokam 4
    • Canto 14 Slokam 5
    • Canto 14 Slokam 6
    • Canto 14 Slokam 7
    • Canto 14 Slokam 8
    • Canto 14 Slokam 9
    • Canto 14 Slokam 10
  • Kapila Vasudeva
  • Narayaneeyam 15Click to open the Narayaneeyam 15 menu
    • Canto 15 Slokam 1
    • Canto 15 Slokam 2
    • Canto 15 Slokam 3
    • Canto 15 Slokam 4
    • Canto 15 Slokam 5
    • Canto 15 Slokam 6
    • Canto 15 Slokam 7
    • Canto 15 Slokam 8
    • Canto 15 Slokam 9
    • Canto 15 Slokam 10
  • The EndowmentClick to open the The Endowment menu
    • The Ten Heads of Ravana
    • KAMA, KRODHA, LOBHA, MOHA, MADA, MATSARYA - 1
    • KAMA, KRODHA, LOBHA, MOHA, MADA, MATSARYA - 2
  • Nayayaneeyam 16Click to open the Nayayaneeyam 16 menu
    • Canto 16 Slokam 1
    • Canto 16 Slokam 2
    • Canto 16 Slokam 3
    • Canto 16 Slokam 4
    • Canto 16 Slokam 5
    • Canto 16 Slokam 6
    • Canto 16 Slokam 7
    • Canto 16 Slokam 8
    • Canto 16 Slokam 9
    • Canto 16 Slokam 10
  • Self Realization
  • Narayaneeyam 17Click to open the Narayaneeyam 17 menu
    • Canto 17 Slokam 1
    • Canto 17 Slokam 2
    • Canto 17 Slokam 3
    • Canto 17 Slokam 4
    • Canto 17 Slokam 5
    • Canto 17 Slokam 6
    • Canto 17 Slokam 7
    • Canto 17 Slokam 8
    • Canto 17 Slokam 9
    • Canto 17 Slokam 10
    • Canto 17 Slokam 11
  • The Universe of the Mind
  • Narayaneeyam 18Click to open the Narayaneeyam 18 menu
    • Canto 18 Slokam 1
    • Canto 18 Slokam 2
    • Canto 18 Slokam 3
    • Canto 18 Slokam 4
    • Canto 18 Slokam 5
    • Canto 18 Slokam 6
    • Canto 18 Slokam 7
    • Canto 18 Slokam 8
    • Canto 18 Slokam 9
    • Canto 18 Slokam 10
  • VEDAS - KNOWLEDGE
  • Narayaneeyam - 19Click to open the Narayaneeyam - 19 menu
    • Canto 19 Slokam 1
    • Canto 19 - Slokam 2
    • Canto 19 Slokam 3
    • Canto 18 Slokam 4
    • Canto 19 Slokam 5
    • Cano 19 Slokam 6
    • Canto 19 Slokam 7
    • Canto 19 Slokam 8
    • Canto 19 Slokam 9
    • Canto 19 Slokam 10
  • Scriptures to be read with a clear grasp of the objectives
  • Narayaneeyam 20Click to open the Narayaneeyam 20 menu
    • Canto 20 Slokam 1
    • Canto 20 Slokam 2
    • Canto 20 Slokam 3
    • Canto 20 Slokam 4
    • Canto 20 Slokam 5
    • Canto 20 Slokam 6
    • Canto 20 Slokam 7
    • Canto 20 Slokam 8
    • Canto 20 Slokam 9
    • Canto 20 Slokam 10
  • Prayer and RitualsClick to open the Prayer and Rituals menu
    • The Meaning and Significance of Prayer
    • The Objective of Prayer
    • The Components of Prayer - From Srimad Bhagavatham - Kamala Subramaniam
  • Narayaneeyam 21Click to open the Narayaneeyam 21 menu
    • Canto 21 - Slokam 1
    • Canto 21 Slokam 2
    • Canto 21 Slokam 3
    • Canto 21 Slokam 4
    • canto 21 Slokam 5
    • Canto 21 Slokam 6
    • Canto 21 Slokam 7
    • Canto 21 Slokam 8
    • Canto 21 Slokam 9
    • Canto 21 Slokam 10
    • Canto 21 Slokam 11
    • Canto 21 Slokam 12
  • Mahabharata - Our Kurukshethram
  • Narayaneeyam 22Click to open the Narayaneeyam 22 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
    • Slokam 11
  • Paramathma's Controls
  • Narayaneeyam 23Click to open the Narayaneeyam 23 menu
    • Canto 23 Slokam 1
    • Canto 23 Slokam 2
    • Canto 23 Slokam 3
    • Canto 23 Slokam 4
    • Canto 23 Slokam 5
    • Canto 23 Slokam 6
    • Canto 23 Slokam 7
    • Canto 23 Slokam 8
    • Canto 23 Slokam 9
    • Canto 23 Slokam 10
    • Canto 23 Slokam 11
  • Shri Ramana Maharshi - Inner Peace and Happiness
  • Narayaneeyam 24Click to open the Narayaneeyam 24 menu
    • Canto 24 Slokam 1
    • Canto 24 Slokam 2
    • Canto 24 Slokam 3
    • Canto 24 Slokam 4
    • Canto 24 Slokam 5 - 1
    • Canto 24 Slokam 5- 2
    • Canto 24 Slokam 5-3
    • Canto 24 Slokam 6
    • Canto 24 Slokam 7
    • Canto 24 Slokam 8
    • Canto 24 Slokam 9
    • Canto 24 Slokam 10
  • Why Take Initiative?
  • Narayaneeyam 25Click to open the Narayaneeyam 25 menu
    • Canto 25 Slokam 1
    • Canto 25 Slokam 2
    • Canto 25 Slokam 3
    • Canto 25 Slokam 4
    • Canto 25 Slokam 5
    • Canto 25 Slokam 6
    • Canto 25 Slokam 7
    • Canto 25 Slokam 8
    • Canto 25 Slokam 9
    • Canto 25 Slokam 10
  • Before We Undertake the Journey....
  • Narayaneeyam 26Click to open the Narayaneeyam 26 menu
    • Canto 26 Slokam 1
    • Canto 26 Slokam 2
    • Canto 26 Slokam 3
    • Canto 26 Slokam 4
    • Canto 26 Slokam 5
    • Canto 26 Slokam 6
    • canto 26 Slokam 7
    • Canto 26 Slokam 8
    • Canto 26 Slokam 9
    • Canto 26 Slokam 10
  • What Needs to be Attained
  • Narayaneeyam 27Click to open the Narayaneeyam 27 menu
    • Canto 27 Slokam 1
    • Canto 27 Slokam 2
    • Canto 27 Slokam 3
    • Canto 27 Slokam 4
    • Canto 27 Slokam 5
    • Canto 27 Slokam 6
    • Canto 27 Slokam 7
    • Canto 27 Slokam 8
    • Canto 27 Slokam 9
    • Canto 27 Slokam 10
    • Canto 27 Slokam 11
  • Bhakthi - The Essential Prerequisite
  • Narayaneeyam 28Click to open the Narayaneeyam 28 menu
    • Canto 28 Slokam 1
    • Canto 28 Slokam 2
    • Canto 28 Slokam 3
    • Canto 28 Slokam 4
    • Canto 28 Slokam 5
    • Canto 28 Slokam 6
    • Canto 28 Slokam 7
    • Canto 28 Slokam 8
    • Canto 28 Slokam 9
    • Canto 28 Slokam 10
  • The Three GUNAS and the Creation of the Universe
  • Narayaneeyam 29Click to open the Narayaneeyam 29 menu
    • Canto 29 Slokam 1
    • Canto 29 Slokam 2
    • Canto 29 Slokam 3
    • Canto 29 Slokam 4
    • Canto 29 Slokam 5
    • Canto 29 Slokam 6
    • Canto 29 Slokam 7
    • Canto 29 Slokam 8
    • Canto 29 Slokam 9
    • Canto 29 Slokam 10
  • The Paramathma Speaks on His Creation
  • Narayanayeeam 30Click to open the Narayanayeeam 30 menu
    • Canto 30 Slokam1
    • Canto 30 Slokam 2
    • Canto 30 Slokam 3
    • Canto 30 Slokam 4
    • Canto 30 Slokam 5
    • Canto 30 Slokam 6
    • Canto 30 Slokam 7
    • Canto 30 Slokam 8
    • Canto 30 Slokam 9
    • Canto 30 Slokam 10
  • Unchanging Truth
  • Narayaneeyam 31Click to open the Narayaneeyam 31 menu
    • Canto 31 Slokam 1
    • Canto 31 Slokam 2
    • Canto 31 Slokam 3
    • Canto 31 Slokam 4
    • Canto 31 Slokam 5
    • Canto 31 Slokam 6
    • Canto 31 Slokam 7
    • Canto 31 Slokam 8
    • Canto 31 Slokam 9
    • Canto 31 Slokam 10
  • Knowing the Truth
  • Narayaneeyam 32Click to open the Narayaneeyam 32 menu
    • Canto 32 Slokam 1
    • Canto 32 Slokam 2
    • Canto 32 Slokam 3
    • Canto 32 Slokam 4
    • Canto 32 Slokam 5
    • Canto 32 Slokam 6
    • Canto 32 Slokam 7
    • Canto 32 Slokam 8
    • Canto 32 Slokam 9
    • Canto 32 Slokam 10
  • Hiranyakashipu's WishClick to open the Hiranyakashipu's Wish menu
    • Hiranyakashipu in a nutshell
    • Who is Hiranyakashipu supposed to be?
    • How did Hiranyaksha and Hiranyakashipu come down to the Earth
    • Why did the Door Keepers of Narayana become the perpetrators of suffering?
    • Penance and Power
    • Neither this Nor That
  • Narayaneeyam 33Click to open the Narayaneeyam 33 menu
    • Canto 33 Slokam 1
    • Canto 33 Slokam 2
    • Canto 33 Slokam 3
    • Canto 33 Slokam 4
    • Canto 33 Slokam 5
    • Canto 33 Slokam 6
    • Canto 33 Slokam 7
    • Canto 33 Slokam 8
    • Canto 33 Slokam 9
    • Canto 33 Slokam 10
  • Endowment for Effort
  • Narayaneeyam 34Click to open the Narayaneeyam 34 menu
    • Canto 34 Slokam 1
    • Canto 34 Slokam 2
    • Canto 34 Slokam 3
    • Canto 34 Slokam 4
    • Canto 34 Slokam 5
    • Canto 34 Slokam 6
    • Canto 34 Slokam 7
    • Canto 34 Slokam 8
    • Canto 34 Slokam 9
    • Canto 34 Slokam 10
  • Material Wealth
  • Narayaneeyam 35Click to open the Narayaneeyam 35 menu
    • Canto 35 Slokam 1
    • Canto 35 Slokam 2
    • Canto 35 Slokam 3
    • canto 35 Slokam 4
    • Canto 35 Slokam 5
    • Canto 35 Slokam 6
    • Canto 35 Slokam 7
    • Canto 35 Slokam 8
    • Canto 35 Slokam 9
    • Canto 35 Slokam 10
  • The Elements of Which We Are Made
  • Narayaneeyam 36Click to open the Narayaneeyam 36 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
    • Slokam 11
  • Perception, Consciousness, Illusion and Reality
  • Narayaneeyam 37Click to open the Narayaneeyam 37 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • Narayaneeyam 37
  • Knowing That Which is Known
  • Narayaneeyam 38Click to open the Narayaneeyam 38 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • The Three PathsClick to open the The Three Paths menu
    • Gnana Yogam
    • The Obstacles to Gnana Yogam
    • Karma Yogam
    • Bhakti Yogam
    • Bhakti - The Recommended Path for Kali Yugam
  • Narayaneeyam 39Click to open the Narayaneeyam 39 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • The Requirements of Attaining Moksham
  • Narayaneeyam 40Click to open the Narayaneeyam 40 menu
    • Canto 40 Slokam 1
    • Canto 40 Slokam 2
    • Canto 40 Slokam 3
    • Canto 40 Slokam 4
    • Canto 40 Slokam 5
    • Canto 40 Slokam 6
    • Canto 40 Slokam 7
    • Canto 40 Slokam 8
    • Canto 40 Slokam 9
    • Canto 40 Slokam 10
  • KarmaClick to open the Karma menu
    • An Overview of Karma
    • Why Karma?
    • Traversing the Path of Karma
    • Karma - Bhagavatham Extracts
    • Karma and Intelligence
    • Relationship betweeen Karma and Intelligence
  • Narayaneeyam 41Click to open the Narayaneeyam 41 menu
    • Canto 41 Slokam 1
    • Canto 41 Slokam 2
    • Canto 41 Slokam 3
    • Canto 41 Slokam 4
    • Canto 41 Slokam 5
    • Canto 41 Slokam 6
    • Canto 41 Slokam 7
    • Canto 41 Slokam 8
    • Canto 41 Slokam 9
    • Canto 41 Slokam 10
  • Yugams
  • Narayaneeyam 42Click to open the Narayaneeyam 42 menu
    • Canto 42 Slokam 1
    • Canto 42 Slokam 2
    • Canto 42 Slokam 3
    • Canto 42 Slokam 4
    • Canto 42 Slokam 5
    • Canto 42 Slokam 6
    • Canto 42 Slokam 7
    • Canto 42 Slokam 8
    • Canto 42 Slokam 9
    • Canto 42 Slokam 10
    • Canto 42 Slokam 11
  • Interrelationship between the Paths
  • Narayaneeyam 43Click to open the Narayaneeyam 43 menu
    • Canto 43 Slokam 1
    • Canto 43 Slokam 2
    • Canto 43 Slokam 3
    • Canto 43 Slokam 4
    • Canto 43 Slokam 5
    • Canto 43 Slokam 6
    • Canto 43 Slokam 7
    • Canto 43 Slokam 8
    • Canto 43 Slokam 9
    • Canto 43 Slokam 10
  • The Role of the Intellect
  • Narayaneeyam 44Click to open the Narayaneeyam 44 menu
    • Canto 44 Slokam 1
    • Canto 44 Slokam 2
    • Canto 44 Slokam 3
    • Canto 44 Slokam 4
    • Canto 44 Slokam 5
    • Canto 44 Slokam 6
    • Canto 44 Slokam 7
    • Canto 44 Slokam 8
    • Canto 44 Slokam 9
    • Canto 44 Slokam 10
  • What Happens When I Know Myself
  • Narayaneeyam 45Click to open the Narayaneeyam 45 menu
    • Canto 45 Slokam 1
    • Canto 45 Slokam 2
    • Canto 45 Slokam 3
    • Canto 45 Slokam 4
    • Canto 45 Slokam 5
    • Canto 45 Slokam 6
    • Canto 45 Slokam 7
    • Canto 45 Slokam 8
    • Canto 45 SlokAM 9
    • Canto 45 Slokam 10
    • Canto 45 Slokam 11
    • Canto 45 Slokam 12
  • The Intricate RelationshipsClick to open the The Intricate Relationships menu
    • Canto 45 Slokam 3
  • Narayaneeyam 46Click to open the Narayaneeyam 46 menu
    • Canto 46 Slokam 1
    • Canto 46 Slokam 2
    • Canto 46 Slokam 3
    • Canto 46 Slokam 4
    • Canto 46 Slokam 5
    • Canto 46 Slokam 6
    • Canto 46 Slokam 7
    • Canto 46 Slokam 8
    • Canto 46 Slokam 9
    • Canto 46 Slokam 10
  • What happens if there is no Identity
  • Narayaneeyam 47Click to open the Narayaneeyam 47 menu
    • Canto 47 Slokam 1
    • Canto 47 Slokam 2
    • Canto 47 Slokam 3
    • Canto 47 Slokam 4
    • Canto 47 Slokam 5
    • Canto 47 Slokam 6
    • Canto 47 Slokam 7
    • Canto 47 Slokam 8
    • Canto 47 Slokam 9
  • Bhakti Revisited - What Paramathma Wants
  • Narayaneeyam 48Click to open the Narayaneeyam 48 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • The Meaning of Meditation
  • Narayaneeyam 49Click to open the Narayaneeyam 49 menu
    • Slokam 1
    • Slokam 2
    • Slokam 3
    • Slokam 4
    • Slokam 5
    • Slokam 6
    • Slokam 7
    • Slokam 8
    • Slokam 9
    • Slokam 10
  • The Presentation Style of the Scriptures
  • Narayaneeyam - 50Click to open the Narayaneeyam - 50 menu
    • Canto 50 Slokam 1
    • Canto 50 Slokam 2
    • Canto 50 Slokam 3
    • Canto 50 Slokam 4
    • Canto 50 Slokam 5
    • Canto 50 Slokam 6
    • Canto 50 Slokam 7
    • Canto 50 Slokam 8
    • Canto 50 Slokam 9
    • Canto 50 Slokam 10
  • Symbolic Interpretation of the Scriptures
  • Narayaneeyam - 51Click to open the Narayaneeyam - 51 menu
    • Canto 51 Slokam 1
    • Canto 51 Slokam 2
    • Canto 51 Slokam 3
    • Canto 51 Slokam 4
  • Narayaneeyam - 51
  • Srimad Bhagavatham
  • The Paramathma and the Gopis
  • The 'Moral Issues'?
  • Truth & Fiction, Real & Imaginary
  • Mimicry and Impersonalization
  • Karma's Seeds
  • Family Attachment
  • THE VIRATA PURUSHA
  • The Obstacles in the Path of Evolution
  • THE STEPS
  • Is Everyone Qualified to Attempt the Journey?
  • Realization & Knowing
  • Singularity and Duality
  • Existence and Consciousness
  • Repeating Cycle of Births and Deaths - Purva Janma
  • Who Am "I"Click to open the Who Am "I" menu
    • The Ego, Desire, Karma and the "I"
    • "I", "Mine" and Moksham
    • Why the "I" should be dropped
    • "I" The Enabler of Learning.
    • "I", Ownership and Karma
    • "I" THE AHANKAARAM
    • Evolving Beyond The "I"
    • "I" and the Senses
    • The Negative aspect of the "I"
    • "I"'s Different Disguises
  • Moksham
  • Papa, Punya, Dharma and Adharma
  • What we have been given
  • Two Different Paths - East Vs WestClick to open the Two Different Paths - East Vs West menu
    • Purpose of Life
    • Learning and Knowledge
    • Evolution of Intelligence
    • Western and Eastern Perspective
  • Present Limitations
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Canto 26 Slokam 5




Slokam 5

The intricate manner in which life on this planet plays out,  is sought to be surfaced in this Slokam.  Just as Gajendra was born as the incarnation of Indradyumna,  a Gandharva called Hoo-Hoo takes the form of a crocodile and lives in the same lake in which Gajendra plays with his female companions.

Gandharva is a name used for distinct heavenly beings.  Gandharva are male nature spirits and husbands of the Apsaras. Some are part animal, usually a bird or horse. They have superb musical skills. They guard the Soma and play beautiful music for the gods in their palaces. Gandharvas are frequently depicted as singers in the court of the gods.

Gandharvas in the historic sense acted as messengers between the gods and humans. A gandharva marriage is one contracted by mutual consent and without formal rituals.

Gandharvas are mentioned extensively in the epic Mahabharata as associated with the Devas (as dancers and singers) and with the Yakshas, as formidable warriors. They are mentioned as spread across various territories.

The Gandharva Hoo Hoo is recognized as one of the 10 prominent Gandharvas in the Gandharva Veda. Hoo Hoo, like Indradyumna is also cursed by a sage, as a result of which, Hoo Hoo is born as a crocodile.  The sage that curses Hoo Hoo is Devala.

Devala was one of the great rishis or sages. He is acknowledged to be a great authority like Narada and Vyasa and is mentioned by Arjuna in Bhagavad Gita. According to the Devanga Purana, Sage Devala is the progenitor of the Devanga community. The person called "Agni Manu" was the first weaver, who weaves clothes for all. After his liberation, the demand for clothes became high. Devala is known to have emerged from the third eye or from the heart of Lord Shiva to create clothing and to teach weaving to the world. Sage Devala is the progenitor of the Devanga community.

Devala (देवल).—A Siddha, and a son of Dhiṣaṇā and Kṛśāśva, and identified with Hari;1 came to see Parikṣit practising prāyopaveśa;2 knew the yoga power of Viṣṇu;3 told Śukra the story of Citraketu;4 cursed Hūhū to be born a crocodile;5 did not comprehend Hari's māya,6 came to see Kṛṣṇa at Syamantapañcaka;7 a Brahmavādin;8 exclusion of marriage alliances with Kaśyapas and Asitas.9

The Tiloyapaṇṇatti provides a list of ten Gandharvas:

  • Hāhā
  • Huhū
  • Nārada
  • Tumbara
  • Vāsava
  • Kadamba
  • Mahāsvara
  • Gītarati
  • Gītarasa
  • Vajravān

It is not clear as to what transpired for Devala to curse huhu to be born as a crocodile.

Gajendra,  who had never experienced pain in his life ever before,  was latched in a painful clutch by the crocodile.  The clutch was like an iron grip and Gajadra, try as he might,  could not release himself. 

Gajendra had enjoyed his fulfilling life thus far.  He had apparently not committed any wrongful acts. So why was he being subjected to suffering.  The slokam brings out the fundamental truth about our inner self.  We will not turn to the Paramathma to take us away from this life unless we are caught in a painful situation from which there is no escape.

This is why the Paramathma,  says that if He wants to punish someone,  He gives that person everything that he/she needs.  Those that He wants to liberate,  He deprives them of all worldly endowments. 

An elephant,  being an animal has only the requirements of basic physical needs. Gajendra does not seek anything beyond his physical needs.  Once these are met, he has no other need.  So by his very nature, he will not seek anything else.  The only way he is going to seek release from this life is when he is subjected to physical pain.  This is exactly why the situation is created whereby his leg is caught in an iron grip by the crocodile. 

Gajendra could have in no way wanted to get into a painful situation. However his life/his karma is pre designed to give him the opportunity to reach out to the Paramathma.  Each one of our lives is similarly designed as a sequence of events to make the blessed among us to reach out to the Paramathma and seek release from this earthly existence.

Unlike Gajendra whose needs are simple,  we are endowed with intelligence that comes with “higher” capabilities, ambitions, and needs. We think we have a mastery over life and that we can tame the forces of life and always overcome all challenges that are thrown our way.  Consequently,  the Paramathma puts us through a sequence of more difficult/complex tests.  The Corona Virus being the most recent and most devastating of what has been an amazing sequence of intricate problems,  the most difficult of which has been our own split inner self, that is riddled with conflicts.  We grapple with these over much of our lifetimes, before concluding that our capabilities cannot match the requirements to resolve the challenges.

Sri Bhattadri asks the Paramathma,  the question – “Is it not true that You make Your devotees suffer a while before they attain supreme peace?!”

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